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North Uist Trip

Environmental Art: Giuseppe Penone is an Italian sculptor and a conceptual artist. He was born 3rd April 1947 and is still alive to this day creating artworks. His work is concerned with establishing the connection between man and nature.  Maritime Alps is a series of work that Penone did whilst near his home which is in the region of the Maritime Alps. This series of works uses nature as the inspiration and the natural objects and happenings such as saplings and streams become the medium and his canvas. One of his works from this series, Continuerà a crescere tranne che in quel punto (It will continue to grow except at that point), shows a hand that is integrated within a tree. The process involved wrapping his hand around the tree and marking the positioning onto it. He then constructed a metal replica of his own hand out of iron and attached it to the tree. The idea of this project is that the tree will carry on growing except at the point where the hand is making contact with the tree. The tree form alters as it grows over time to retain the memory of Penone’s gesture. This intervention with the growth of a natural object is one of the main themes behind Penone’s work and this is what interests me.​

For some inspiration our lecturers organised a class trip to North Uist in the Outer Hebrides. We were there from Monday 26th September to Saturday 1st October. Whilst on this trip we visited many locations around North Uist to gather inspiration. From this inspiration we then went on to produce two 3D sculptures.

 

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Sketchbook Research

Interactive Media: Interactive media is about the way that humans communicate with devices and the way that devices communicate humans. It’s this series of actions and reactions that creates the piece of art as opposed to what we visually see – it’s the process. This type of artwork provokes the questions such as is the device the piece of artwork or is it the interaction? Would this piece of art exist without an audience? This methodology of thinking forces the audience to unlearn the “Please Do Not Touch” rules usually associated with galleries.

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Aaron Sherwood is an upcoming artist from New York. His work explores cause and effect through new media such as sound and light. In the artwork Firewall Sherwood created a projection of light using Processing, Max/MSP, Arduino and a Microsoft Kinect. This was then projected onto a taut sheet of taut spandex. Upon human interaction with the sheet of spandex the light changes form. Also when a user makes contact with the spandex a piece of music starts to play and depending on how far the user submerges their hand into the spandex the music changes tempo and softness. This creates a rubato effect and gives the user the ability to control the pace and volume of the music. This is because the kinetic input that the human gives is a form of communication and this is fed into Sherwoods set-up. The set-up then receives this information and comes up with a reaction which is then projected onto the spandex. This process is imminent and so it is not noticeable to the user, but this artwork gives them the power to interact with the artwork and give their own input. This creates a sense of harmony with the piece as they are directly involved with what they see and what happens which also gives them a sense of control. Yes the piece is visually stunning with the warm colour resembling fire embers but without human interaction it would simply be a projection of yellow lines on a surface. The exchange of input and output is what gives the artwork context and a meaning.

Land Art: Mendita was a painter, sculptor, video artist and performance artist. She was born 18th November 1948 and died a controversial death on 8th September 1985 at the young age of 36. Her artwork mostly revolved around the themes feminism, life, death and violence and she is well known for her earth-body works where she used the earth as her sculptural medium. Her most famous work, Silueta Series, consists of multiple silhouettes that represent a human female form created within nature. She made these silhouettes by digging into surfaces like dirt and sand and filling them with things like water and sand. She also creates outlines of silhouettes with natural items such as leaves, branches and rocks. To the public her work suggests that it was feminist work but it cannot be categorised as just that; her work reflects her identity and also her views on society.

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